R
rickd
I'm coming late to the discussion, but thought I'd throw in my $0.02. I've had the 85/1.4 seemingly forever, having bought mine not long it after getting my RTS. There's no question that with a DOF thickness not unlike that of a piece of typing paper when shooting wide open up close, getting, for ex&le, an eye *just so* can be a challenge. But I've always found the lens up to snuff as long as I've handled it correctly. (As has been well pointed out, the laws of optics never take a day off no matter whose name is on the lens.) While I generally don't shoot it wide open, I'm certainly not afraid to do so. Also, the ability to throw distracting fore- or background objects out of focus also shouldn't be overlooked. The 85/1.4 is superlative for this, making it a great landscape lens.
What's perhaps not been emphasized enough is the dramatic "pop" of a subject coming into focus through the viewfinder using this lens. I find it quite helpful in composing a shot, in bright light or dim. (Getting a proper lens shade is important, that's a big front element and eliminating flare shooting wide open can be critical. If you go the Contax route you need to buy both a hood and a step-up ring.)
I too prefer shooting with a cross-hatch matte screen. Don't really know why, I just do, finding split-screens more bother than they're generally worth.
The only lens of this approximate length I've personally seen routinely out-perform the 85/1.4 is the 90/2.8 Sonnar for the G, truly a lens to be reckoned with. But that's another topic entirely.
--Rick
What's perhaps not been emphasized enough is the dramatic "pop" of a subject coming into focus through the viewfinder using this lens. I find it quite helpful in composing a shot, in bright light or dim. (Getting a proper lens shade is important, that's a big front element and eliminating flare shooting wide open can be critical. If you go the Contax route you need to buy both a hood and a step-up ring.)
I too prefer shooting with a cross-hatch matte screen. Don't really know why, I just do, finding split-screens more bother than they're generally worth.
The only lens of this approximate length I've personally seen routinely out-perform the 85/1.4 is the 90/2.8 Sonnar for the G, truly a lens to be reckoned with. But that's another topic entirely.
--Rick