>Posted by Kaisern Chen on Monday, June 23, 2003 - 5:45 pm: > >[color fringing is more a problem to digital than to film, due to the >resolving power of the digital chips as well its additional optical filter >to cause that. The CS glass also has the color fringing problem but less >and harder to detect than the L lens. N Digital on the other hand, >although the resolution is less than 1Ds, have the best tonal range and >lens quality is superior AD 100/2.8 VS-Makro vs EF 100/2.8 macro, 85/1.4 >Planar vs. EF 85/1.8, I do not have other range of lens that can do more closer >comparison, hope Kyocera will introduce more fixed focal lenses to >complete its line soon.
I somehow had the impression that one of the problems in using standard film lenses with digital sensors was the fact that the mechanical structure of the digital sensors (Foveon excluded) in which each sensor element is slightly recessed in a little box doesn't respond well to light reaching it from other than head-on, that is normal incidence. Is this a factor?